I used my 1946-47 IIIc with my 1936 50mm f SUMMAR . It gave some flare even though I had painted the lens hood with Matt Black Paint I guessed the focus as photos were taken at waist level.
I used my 1946-47 IIIc with my 1936 50mm f SUMMAR . It gave some flare even though I had painted the lens hood with Matt Black Paint I guessed the focus as photos were taken at waist level.
I used my 1946-47 IIIc with my 1936 50mm f SUMMAR . It gave some flare even though I had painted the lens hood with Matt Black Paint I guessed the focus as photos were taken at waist level.
Trip to LONDON for the Christmas events with 1986 M6 + Canadian Leitz 35mm f1.4 Summilux and outdated Fuji Sensia 100 E6 film which I processed myself.
Trip to LONDON for the Christmas events with 1986 M6 + Canadian Leitz 35mm f1.4 Summilux and outdated Fuji Sensia 100 E6 film which I processed myself.
Trip to LONDON for the Christmas events with 1986 M6 + Canadian Leitz 35mm f1.4 Summilux and outdated Fuji Sensia 100 E6 film which I processed myself.
Trip to LONDON for the Christmas events with 1986 M6 + Canadian Leitz 35mm f1.4 Summilux and outdated Fuji Sensia 100 E6 film which I processed myself.
Trip to LONDON for the Christmas events with 1986 M6 + Canadian Leitz 35mm f1.4 Summilux and outdated Fuji Sensia 100 E6 film which I processed myself.
Trip to LONDON for the Christmas events with 1986 M6 + Canadian Leitz 35mm f1.4 Summilux and outdated Fuji Sensia 100 E6 film which I processed myself.
1965 LEICA M2 testing my 1995 outdated EFKE KB14 film in MK35 'Beutler-Type- developer. I held a Light Orange filter over lens to see if it made a difference
Testing a roll of CINESTILL XX Double-X in my 1978 HASSELBLAD 500 C/M now that I have Re-Seated the Focus Screen . I processed in my Home-Made PYROCAT HD
pentaxpete
